About Webitorials
Each webitorial brings together striking photography series from international contributors — spanning fashion, beauty, conceptual, and fine-art work. Every feature credits the full creative team: photographers, models, makeup artists, stylists, and designers who brought the vision to life.
Past Editions
Three webitorial editions have been published to date, each presenting a distinct collection of visual stories.
February 2021
The inaugural webitorial, featuring five series from photographers across Europe and Asia.
- Ellya Bunyat — "Pink Insanity"
- Nikita Romanov — "You Look Like a Heifer"
- Fenia Labropoulou — "A Moment in Time"
- Debarghya Mukherjee
- Liviu Popa
August 2022
A diverse collection of nine series exploring texture, movement, and narrative.
- Magical
- Blue Pearl
- Stay in Nature
- Ying Yang Collection
- Death to Fashion
- Flow into Black
- Anastasia
- Illusions
- Looking for Amelie
August 2023
Ten compelling series from a global roster of image-makers.
- Collaborators
- Silent Calm
- My Universe
- Simple Russian Girl
- Beauty
- Call Me Fátima
- Light Through
- Glow Mist
- Fides, Spes, Amor
- Tree Recombination Pattern
All Featured Series
A complete index of works that have appeared across all webitorial editions.
- Pink Insanity — Ellya Bunyat
- You Look Like a Heifer — Nikita Romanov
- A Moment in Time — Fenia Labropoulou
- Debarghya Mukherjee
- Liviu Popa
- Magical
- Blue Pearl
- Stay in Nature
- Ying Yang Collection
- Death to Fashion
- Flow into Black
- Anastasia
- Illusions
- Looking for Amelie
- Collaborators
- Silent Calm
- My Universe
- Simple Russian Girl
- Beauty
- Call Me Fátima
- Light Through
- Glow Mist
- Fides, Spes, Amor
- Tree Recombination Pattern
The webitorial format exists to do more than simply display images. It is a curated space where photography is treated as a complete narrative, not a collection of isolated frames. Each edition is assembled with intention, drawing together series that share a mood, a theme, or a visual language. This approach allows contributors to present their work the way it deserves to be seen — as a story with a beginning, middle, and end. For photographers who ignore the status quo and push against conventional expectations, the webitorial becomes a platform where expressive, conceptual, and fine-art work can breathe.
Behind every striking photograph stands a team of people whose craft is often invisible in the final image. The webitorial credits the full creative roster — the photographers who frame the vision, the models who embody it, the makeup artists and stylists who build the world around the subject, and the designers who shape the overall aesthetic. By naming these collaborators, the publication honors the collective effort that makes a great series possible. It also invites emerging creatives to see how professional productions come together, demystifying the process and encouraging new voices to step forward with their own ambitious projects.
Submitting to the webitorial is open and free, in keeping with the magazine's belief that worthy work should not be gated by cost or connections. Photographers are invited to choose a category that fits their series — whether fashion, beauty, conceptual, fine art, or another expressive form — and provide a valid email so the editorial team can reach out about approval. The submission process asks only for the work itself and the story behind it. This low-barrier approach reflects a philosophy that creativity thrives when rules are few and opportunities are genuine.
The magazine's visual identity mirrors the energy of the work it publishes. Deep near-black backgrounds, hot magenta accents, and bold condensed type create a loud, poster-like atmosphere that feels closer to a gig flyer than a traditional art journal. This design language is no accident — it signals that the publication is deliberately outside the mainstream, aligned with creatives who ignore the status quo. The webitorial pages carry that same spirit, presenting photography with generous spacing and punchy headlines that let the images dominate while the design supports, rather than competes with, the art on display.
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